Download FXPHD - NUK204 torrent or FXPHD - NUK204 magnet link has 4376 resources，search torrent from torrent sites- bthad.com. Aug 24, 2017 - Warren Eagles FXPHD Colour Grading Looks Course. Size chunks and making the downloading and launching of the course extremely easy. Fxphd Torrent Download 6/6/2019 by admin 0 Comments Hanuman Bhajan: Hanuman Jab Chale Singer: Lakhbir Singh Lakkha Music Director: Durga-Natraj Lyricist: Saral Kavi Album: Hanuman Jab Chale Music Label: T-Series If You like the video don't forget to share with others & also share your views. Complete name: G: Films My Torrents FXPHD C4D202 - Cinema4D and After Effects in Production FXPHDC4D202CGP Classes c4d202-class02.mov Format: MPEG-4 Format profile: QuickTime Codec ID: qt File size: 53.0 MiB Duration: 27mn 35s Overall bit rate: 269 Kbps Encoded date: UTC 2008-07-22 02:49:35 Tagged date: UTC 2008-07-22 02:49:42. FXPHD - NUK243 Nuke and the VFX of RISE HI-SPEED DOWNLOAD Free 300 GB with Full DSL-Broadband Speed!

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Class 1: In this class we will create an animated type reveal using a fusion of MoGraph and Dynamics. The letters will be attached to a moving chain via connectors which will swing dynamically based on their motion.
Class 2: Flowing Typography. This week we look at creating some flowing typography which will animate into place. Using a combination of tools such as Spline Wrap Deformer, Morph Tag and the Inheritance Effector you will learn how to maintain full control over your type as it glides into place.
Class 3: Curtains, Part 1 of a 2 week class using the simple curtain as a graphic device, we will build a variety of rigs to animate the curtain reveal. This class will enhance your understanding of controlling cloth simulations and we will also build a suitable material for the cloth.
Class 4: Curtains Part 2 of 2.
Class 5: Using MoGraph effectors to control keyframed animation on your objects. This technique will facilitate the automated animation of production lines and repetitive sequences. We also use effectors and xpresso to switch clone visibility whilst driving a dynamics animation.
Class 6: Sound Waves Part 1 of 2. Working with music is an essential part of any motion graphics workflow. In this two week class we build an animated logo reveal using a soundtrack as the basis for our animation control. We will build a rig which allows us to animate organic sound waves which then resolve into a logo ID. This week we look at various ways to create sound waves using MoGraph Matrix Object, Tracers and Effectors.
Class 7: Part 2 of a 2 week class, creating a logo ID using sound as the basis for animation control. This week we build an Xpresso setup to emulate the Tracer object but allowing us to bake the animation to keyframes. We then take this setup and build the animated ID
Class 8: Toy Machine Part 1 of 3. The final project of the term will span over three weeks and you will build a project from concept through to a fully animated piece. Starting with an exploration of ideas which we then expand upon and develop our 3D type which will become the transportation tubes for our toy machine. The toys will travel through the type using dynamic motion, along their travels they will become textured and finally end up wrapped in boxes ready to be delivered as gifts. This project will cover a huge variety of techniques including general workflow tips, mograph, dynamics, xpresso, lighting and rendering. This week we model the main section of the logo using Cloner, SplineWrap with various effectors, and we also add some rigging using multiple IK chains.
Class 9: Part 2 of a 3 week class, creating a logo ID. This week we animate the objects using a combination of MoGraph and Dynamics. We build a switch for changing objects between high and low resolution geometry in Xpresso and finish with some keyframe animation.
Class 10: Part 3 of a 3 week class, creating a logo ID. This week we texture our scene and add some basic lighting. Using MoGraph combined with effectors and shaders we create procedural materials that offer a flexible approach.

FXPHD – Insider Techniques for the Pro Colorist

Title: FXPHD – Insider Techniques for the Pro Colorist

Info:
Insider Techniques for the Pro Colorist looks at how to approach a color session, where you start the grade and what an experienced client expects from you. We’ll also fix bad camera problems causing shots in the sequence to not match as well as use twelve Resolve OFX Plugins to fix problems and add creativity. This course has many tips on how to make your way up the grading ladder including things such as how you should set up your room, monitor, control surface, and even insights on whether it is ok to work for free.

This course is primarily centered around a 60 second segment introducing a marketing video for a paint shop. Filmed with three different cameras (GoPro, A7iii, and a 4k Blackmagic Pocket Cinema Camera), the footage presents many challenges: flicker, wrong color temperature, bad framing, changes in exposure, noise and a fussy host/vfx artist and CEO who is paying for the grade ;). The course comes with all the footage — over 10GB! — so you can follow along as a tackle the problems.

Class by class breakdown
CLASS 01: OVERVIEW
An overview of the course, including an overview of Resolve 16 and a bit about Warren.

CLASS 02: SETUP
Worried about upgrading? Backing up old Resolve projects and databases, system settings, project settings.

CLASS 03: CONFORMING THE PAINT PROJECT
Conforming from a Premier Pro XML. Finding missing media, using the new drag and drop reference movie feature, fixing Premiere Pro to Resolve framing issues. New copy and paste of attributes from clip to clip, using Centre Crop with no resizing to address framing, using the mix viewer to see and then correct timing issues between the conform and the reference movie. Spotting what didn’t come across in the XML.

CLASS 04: GRADING THE PAINT PROJECT
Fixing color temp with Chromatic Adaptation OFX, creating a fixed node structure, Using the scopes to match mis-matched shots with the Color temperature control. Showing the reference movie on the Color Page to see what camera was used for each shot. Comparing progress with the split screen.

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CLASS 05: MAKE THE CEO LOOK GOOD
The CEO is important (he’s paying you) so we need to pull out all the tools. Beauty OFX, Face Refinedment OFX, correcting the GoPro ‘wrong color temp shot’ with the Curve tool, histogram overlay on the Curves, Isolation Curve YRGB selections. Uploading a WIP to Frame.io.

CLASS 06: ACTION SPORTS, PART 1
X2 Master timelines 23.98 and 25fps footage. Copying a 1920 x 1080 timeline to an Instagram 1200 x 1200 square timeline. Fixing over-corrected footage with Curves. The new CIE 1931xy scopes and Color Compressor OFX. Using the new Speed Warp control to allow smooth post slow motion. Using Render Cache to see the results.

CLASS 07: GRADING RAW
Blackmagic BRAW and RED IPP2. Setting the project settings for RAW, using 2010 R3D files in IPP2, and BRAW explained. Highlight recovery, sidecar files, exporting RAW stills, and looking at dual ISO. Examining if a clip needs noise reduction and/or if you can stabilize it. Color Space Transform OFX to transform IPP2 to Alexa LogC

CLASS 08: ACTION SPORTS, PART 2
Matching X2 angles, the new Resolve Scopes explained, pulling back oversaturated images, and grading both underwater and above water in the same shot. A look at the new 3D Fusion title templates, using the new Adjustment layer, Analogue Damage OFX and punching titles through the OFX layer.

CLASS 09: PROBLEMS AND HOW TO FIX THEM
Got a flat grey sky you need to replace on a moving shot? Match Move OFX to add a new sky replacement. Bouncing car interior stabilize plus a still frame overlay from V2.

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CLASS 10: FEEDBACK ON THE PAINT PROJECT
Working with feedback received from the client. How Frame io feedback markers are displayed in Resolve with comments and annotations. Continuing to grade the paint project, including Deflicker OFX and Color Stabilizer OFX. Conforming an updated timeline using downloading clips from Frame io.

CLASS 11: DON’T BE AFRAID OF A CONTROL SURFACE
If you get the chance to color a project and the post house has a control surface you haven’t used before, don’t be afraid. It looks more intimidating than it is and the reality is you will still use the mouse a lot. Blackmagic Mini panel and Advanced Resolve surface explained.

CLASS 12: HOW TO MAKE MONEY AS A COLORIST
Warren showcases his room set up, including monitor positions and wall color.

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MARCH 2020 BONUS CLASS
There are big challenges during the COVID-19 pandemic and maybe even bigger ones to come after it has passed. When it’s all over you will need to hit the ground running, as you will hopefully be very busy as things ramp up again. This class includes advice on what you can do to keep your color skills fresh during the forced break…things like refreshing an old reel, re-grading the original clips, changing mixed frame rates and re framing for Instagram. The aim is to help you use the time in a positive way.